The American Problem
H L Mencken, on why America failed
to develop a body of great literature in particular, or great ideas
in general, part of his essay "The National Letters",
from Prejudices: Second Series (1920). This text has been
shamelessly swiped from William D Kiernan's website, corrected against Alistair
Cooke's The Vintage Mencken (1955), and recast by me to
improve readability.
As so many have noted before, Mencken's
criticism of these United States is as accurate today as it was more
than eighty years ago.
So far, the disease. As to the cause,
I have delivered a few hints. I now describe it particularly. It is,
in brief, a defect in the general culture of the country - one
reflected, not only in the national literature, but also in the
national political theory, the national attitude toward religion and
morals, the national habit in all departments of thinking. It is the
lack of a civilized aristocracy, secure in its position, animated by
an intelligent curiosity, skeptical of all facile generalizations,
superior to the sentimentality of the mob, and delighting in the
battle of ideas for its own sake.
The word I use, despite the qualifying
adjective, has got itself such meanings, of course, that I by no
means intend to convey. Any mention of an aristocracy, to a public
fed upon democratic fustian, is bound to bring up images of
stockbrokers' wives lolling obscenely in opera boxes, or of haughty
Englishmen slaughtering whole generations of grouse in an inordinate
and incomprehensible manner, or of Junkers with tight waists
elbowing American schoolmarms off the sidewalks of German beer
towns, or of perfumed Italians coming over to work their abominable
magic upon the daughters of breakfast-food and bathtub kings. Part
of this misconception, I suppose, has its roots in the gaudy
imbecilities of the yellow press, but there is also a part that
belongs to the general American tradition, along with the oppression
of minorities and the belief in political panaceas. Its depth and
extent are constantly revealed by the naïve assumption that the
so-called fashionable folk of the large cities - chiefly wealthy
industrials in the interior-decorator and country-club stage of
culture - constitute an aristocracy, and by the scarcely less
remarkable assumption that the peerage of England is identical with
the gentry - that is, that such men as Lord Northcliffe, Lord
Iveagh, and even Lord Reading are English gentlemen, and of the
ancient line of the Percys.
Here, as always, the worshiper is the father
of the gods, and no less when they are evil than when they are
benign. The inferior man must find himself superiors, that he may
marvel at his political equality with them, and in the absence of
recognizable superiors de facto he creates superiors de
jure. The sublime principle of one man, one vote must be
translated into terms of dollars, diamonds, fashionable
intelligence; the equality of all men before the law must have clear
and dramatic proofs. Sometimes, perhaps, the thing goes further and
is more subtle. The inferior man needs an aristocracy to demonstrate
not only his mere equality, but also his actual superiority. The
society columns in the newspaper may have some such origin: they may
visualize once more the accomplished journalist's understanding of
the mob mind that he plays upon so skillfully, as upon some immense
and cacophonic organ, always going fortissimo. What the
inferior man and his wife see in the sinister revels of those
amazing first families, I suspect, is often a massive witness to
their own higher rectitude - to their relative innocence of
cigarette-smoking, poodle-coddling, child-farming and the more
abstruse branches of adultery - in brief, to their firmer grasp upon
the immutable axioms of Christian virtue, the one sound boast of the
nether nine-tenths of humanity in every land under the cross.
But this bugaboo aristocracy, as I hint, is
actually bogus, and the evidence of its bogusness lies in the fact
that it is insecure. One gets into it only onerously, but out of it
very easily. Entrance is effected by dint of a long a bitter
struggle, and the chief incidents of that struggle are almost
intolerable humiliations. The aspirant must school and steel himself
to sniffs and sneers; he must see the door slammed upon him a
hundred times before it is ever thrown open to him. To get in at all
he must show a talent for abasement - and abasement makes him
timorous. Worse, that timorousness is not cured when he succeeds at
last. On the contrary, it is made even more tremulous, for what he
faces within the gates is a scheme of things made up almost wholly
of harsh and often unintelligible taboos, and the penalty for
violating even the least of them is swift and disastrous. He must
exhibit exactly the right social habits, appetites and prejudices,
public and private. He must harbor exactly the right political
enthusiasms and indignations. He must have a hearty taste for
exactly the right sports. His attitude toward the fine arts must be
properly tolerant and yet not a shade too eager. He must read and
like exactly the right books, pamphlets and public journals. He must
put up at the right hotels when he travels. His wife must patronize
the right milliners. He himself must stick to the right
haberdashery. He must live in the right neighborhood. He must even
embrace the right doctrines of religion. It would ruin him, for all
opera box and society column purposes, to set up a plea for justice
to the Bolsheviki, or even for ordinary decency. It would ruin him
equally to wear celluloid collars, or to move to Union Hill, NJ, or
to serve ham and cabbage at his table. And it would ruin him, too,
to drink coffee from his saucer, or to marry a chambermaid with a
gold tooth, or to join the Seventh Day Adventists. Within the
boundaries of his curious order he is worse fettered than a monk in
a cell. Its obscure notion of propriety, its nebulous notion that
this or that is honorable, hampers him in every direction, and very
narrowly. What he resigns when he enters, even when he makes his
first deprecating knock at the door, is every right to attack the
ideas that happen to prevail within. Such as they are, he must
accept them without question. And as they shift and change in
response to great instinctive movements (or perhaps, now and then,
to the punished but not to be forgotten revolts of extraordinary
rebels) he must shift and change with them, silently and quickly. To
hang back, to challenge and dispute, to preach reforms and
revolutions - these are crimes against the brummagem Holy Ghost of
the order.
Obviously, that order cannot constitute a
genuine aristocracy, in any rational sense. A genuine aristocracy is
grounded upon very much different principles. Its first and most
salient character is its interior security, and the chief visible
evidence of that security is the freedom that goes with it - not
only freedom to act, the divine right of the aristocrat to do what
he jolly well pleases, so long as he does not violate the primary
guarantees and obligations of his class, but also and more
importantly freedom of thought, the liberty to try and err, the
right to be his own man. It is the instinct of a true aristocracy,
not to punish eccentricity by expulsion, but to throw a mantle of
protection around it - to safeguard it from the suspicions and
resentments of the lower orders. Those lower orders are inert,
timid, inhospitable to ideas, hostile to changes, faithful to a few
maudlin superstitions. All progress goes on at the higher levels. It
is there that salient personalities, made secure by artificial
immunities, may oscillate most widely from the normal track. It is
within that entrenched fold, out of reach of the immemorial
certainties of the mob, that extraordinary men of the lower orders
may find their city of refuge, and breathe the clean air. This,
indeed, is at once the hall-mark and the justification of an
aristocracy - that it is beyond responsibility to the general masses
of men, and hence superior to both their degraded longings and their
no less degraded aversions. It is nothing if it is not autonomous,
curious, venturesome, courageous, and everything if it is. It is the
custodian of the qualities that make for change and experiment; it
is the class that organizes danger to the service of the race; it
pays for its high prerogatives by standing in the forefront of the
fray.
No such aristocracy, it must be plain, is
now on view in the United States. The makings of one were visible in
the Virginia of the later eighteenth century, but with Jefferson and
Washington the promise died. In New England, it seems to me, there
never was any aristocracy, either in being or in nascency: there was
only a theocracy that degenerated very quickly into a plutocracy on
the one hand and a caste of sterile Gelehrten on the other -
the passion for God splitting into a lust for dollars and a weakness
for mere words. Despite the common notion to the contrary - a notion
generated by confusing literacy with intelligence - New England has
never shown the slightest sign of a genuine enthusiasm for ideas. It
began its history as a slaughter-house for ideas, and it is to-day
not easily distinguishable from a cold-storage plant. Its celebrated
adventures in mysticism, once apparently so bold and significant,
are now seen to have been little more than an elaborate hocus-pocus
- respectable Unitarians shocking the peasantry and scaring the
horned cattle in the fields by masquerading in the robes of
Rosicrucians. The ideas that it embraced in those austere and
far-off days were stale, and when it had finished with them they
were dead: to-day one hears of Jakob Bohme almost as rarely as one
hears of Allen G Thurman. So in politics. Its glory is Abolition -
an English invention, long under the interdict of the native
plutocracy. Since the Civil War its six states have produced fewer
political ideas, as political ideas run in the Republic, than any
average county in Kansas or Nebraska. Appomattox seemed to be a
victory for New England idealism. It was actually a victory for the
New England plutocracy, and that plutocracy has dominated thought
above the Housatonic ever since. The sect of professional idealists
has so far dwindled that it has ceased to be of any importance, even
as an opposition. When the plutocracy is challenged now, it is
challenged by the proletariat.
Well, what is on view in New England is on
view in all other parts of the nation, sometimes with ameliorations,
but usually with the colors merely exaggerated. What one beholds,
sweeping the eye over the land, is a culture that, like the national
literature, is in three layers - the plutocracy on top, a vast mass
of undifferentiated human blanks at the bottom, and a forlorn
intelligentsia gasping out a precarious life between. I need
not set out at any length, I hope, the intellectual deficiencies of
the plutocracy - its utter failure to show anything even remotely
resembling the makings of an aristocracy. It is badly educated, it
is stupid, it is full of low-caste superstitions and indignations,
it is without decent traditions or informing vision; above all, it
is extraordinarily lacking in the most elemental independence and
courage. Out of this class comes the grotesque fashionable society
of our big towns, already described. Imagine a horde of peasants
incredibly enriched and with almost infinite power thrust into their
hands, and you will have a fair picture of its habitual state of
mind. It shows all the stigmata of inferiority - moral certainty,
cruelty, suspicion of ideas, fear. Never did it function more
revealingly than in the late pogrom against the so-called
Reds, i.e., against humorless idealists who, like Andrew
Jackson, took the platitudes of democracy quite seriously. The
machinery brought to bear against these feeble and scattered
fanatics would have almost sufficed to repel an invasion by the
united powers of Europe. They were hunted out of their sweat-shops
and coffee-houses as if they were so many Carranzas or Ludendorffs,
dragged to jail to the tooting of horns, arraigned before quaking
judges on unintelligible charges, condemned to deportation without
the slightest chance to defend themselves, herded into prison-ships,
and then finally dumped in a snow waste, to be rescued and fed by
the Bolsheviki. And what was the theory at the bottom of all these
astounding proceedings? So far as it can be reduced to
comprehensible terms it was much less a theory than a fear - a
shivering, idiotic, discreditable fear of a mere banshee - an
overpowering, paralyzing dread that some extra-eloquent Red,
permitted to emit his balderdash unwhipped, might eventually convert
a couple of courageous men, and that the courageous men, filled with
indignation against the aristocracy, might take to the highroad,
burn down a nail-factory or two, and slit the throat of some
virtuous profiteer. In order to lay this fear, in order to ease the
jangled nerves of the American successors to the Hapsburgs and
Hohenzollerns, all the constitutional guarantees of the citizen were
suspended, the statute-books were burdened with laws that surpass
anything ever heard of in the Austria of Maria Theresa, the country
was handed over to a frenzied mob of detectives, informers and
agents provocateurs - and the Reds departed laughing loudly,
and were hailed by the Bolsheviki as innocents escaped from an
asylum for the criminally insane.
Obviously, it is out of reason to look for
any hospitality to ideas in a class so extravagantly fearful of even
the most palpably absurd of them. Its philosophy is firmly grounded
upon the thesis that the existing order must stand forever free from
attack, and not only from attack, but also from mere academic
criticism, and its ethics are as firmly grounded upon the thesis
that every attempt at any such criticism is a proof of moral
turpitude. Within its own ranks, protected by what may be regarded
as the privilege of the order, there is nothing to take the place of
this criticism. A few feeble platitudes by Andrew Carnegie and a
book of moderate merit by John D Rockefeller's press-agent
constitute almost the whole of the interior literature of ideas. In
other countries the plutocracy has often produced men of reflective
and analytical habit, eager to rationalize its instincts and to
bring it into some sort of relationship to the main streams of human
thought. The case of David Ricardo at once comes to mind. There have
been many others: John Bright, Richard Cobden, George Grote, and, in
our own time, Walther von Rathenau. But in the United States no such
phenomenon has been visible. There was a day, not long ago, when
certain young men of wealth gave signs of an unaccustomed interest
in ideas on the political side, but the most they managed to achieve
was a banal sort of Socialism, and even this was abandoned in sudden
terror when the war came, and Socialism fell under suspicion of
being genuinely international - in brief, of being honest under the
skin. Nor has the plutocracy of the country ever fostered an
inquiring spirit among its intellectual valets and footmen, which is
to say, among the gentlemen who compose headlines and leading
articles for its newspapers. What chiefly distinguishes the daily
press of the United States from the press of all other countries
pretending to culture is not its lack of truthfulness or even its
lack of dignity and honor, but its incurable fear of ideas, its
constant effort to evade the discussion of fundamentals by
translating all issues into a few elemental fears, its incessant
reduction of all reflection to mere emotion. It is, in the true
sense, never well-informed. It is seldom intelligent, save in the
arts of the mob-master. It is never courageously honest. Held
harshly to a rigid correctness of opinion by the plutocracy that
controls it with less and less attempt at disguise, and menaced on
all sides by censorships that it dare not flout, it sinks rapidly
into formalism and feebleness. Its yellow section is perhaps its
most respectable section for there the only vestige of the old free
journalist survives. In the more conservative papers one finds only
a timid and petulant animosity to all questioning of the existing
order, however urbane and sincere - a pervasive and ill-concealed
dread that the mob now heated up against the orthodox hobgoblins may
suddenly begin to unearth hobgoblins of its own, and so run amok.
For it is upon the emotions of the mob, of course, that the whole
comedy is played. Theoretically the mob is the repository of all
political wisdom and virtue; actually it is the ultimate source of
all political power. Even the plutocracy cannot make war upon it
openly, or forget the least of its weaknesses. The business of
keeping it in order must be done discreetly, warily, with delicate
technique. In the main that business consists of keeping alive its
deep-seated fears - of strange faces, of unfamiliar ideas, of
unhackneyed gestures, of untested liberties and responsibilities.
The one permanent emotion of the inferior man, as of all the simpler
mammals, is fear - fear of the unknown, the complex, the
inexplicable. What he wants beyond everything else is safety. His
instincts incline him toward a society so organized that it will
protect him at all hazards, and not only against perils to his hide
but also against assaults upon his mind - against the need to
grapple with unaccustomed problems, to weigh ideas, to think things
out for himself, to scrutinize the platitudes upon which his
everyday thinking is based. Content under kaiserism so long as it
functions efficiently, he turns, when kaiserism fails, to some other
and perhaps worse form of paternalism, bringing to its benign
tyranny only the docile tribute of his pathetic allegiance. In
America it is the newspaper that is his boss. From it he gets
support for his elemental illusions. In it he sees a visible
embodiment of his own wisdom and consequence. Out of it he draws
fuel for his simple moral passion, his congenital suspicion of
heresy, his dread of the unknown. And behind the newspaper stands
the plutocracy, ignorant, unimaginative and timorous.
Thus at the top and the bottom. Obviously,
there is no aristocracy here. One finds only one of the necessary
elements, and that only in the plutocracy, to wit, a truculent
egoism. But where is intelligence? Where are ease and surety of
manner? Where are enterprise and curiosity? Where, above all, is
courage, and in particular, moral courage - the capacity for
independent thinking, for what Nietzsche called the joys of the
labyrinth? As well look for these things in a society of half-wits.
Democracy, obliterating the old aristocracy, has left only a vacuum
in its place; in a century and a half it has failed either to lift
up the mob to intellectual autonomy and dignity or to purge the
plutocracy of its inherent stupidity and swinishness. It is
precisely here, the first and favorite scene of the Great
Experiment, that the culture of the individual has been reduced to
the most rigid and absurd regimentation. It is precisely here, of
all civilized countries, that eccentricity in demeanor and opinion
has come to bear the heaviest penalties. The whole drift of our law
is toward the absolute prohibition of all ideas that diverge in the
slightest from the accepted platitudes, and behind that drift of law
there is a far more potent force of growing custom, and under that
custom there is a national philosophy which erects conformity into
the noblest of virtues and the free functioning of personality into
a capital crime against society.